Music, as they say, is meals for the soul. Government officers, church officers, emperors and empresses usually commissioned nice composers to write down and play music. And to recoup the costs they had to pay the composers, they bought expensive tickets to performances. Though most individuals did technically come up with the money for to cowl the cost of a ticket, it wasn’t reasonably priced enough to make spending it for just a few hours of leisure seem worth it.
From about 1530 to 1600, the pre-eminent form of secular vocal music in Europe was the madrigal. The madrigal usually set a poem in Italian (later, typically in English) with an intense emotional cast. The setting was normally for 4 or 5 voices with no instrumental accompaniment, although devices were in all probability added in efficiency at times. Jacques Arcadelt (c. 1500-1568) was a Frenchman, but wrote madrigals within the Italian metropolis of Florence. The most well-known instance of his work is Il bianco e dolce cigno.
One further distinction between romantic music and impressionism was the musical forms employed. While romantic music sees long form musical structures such as the symphony and the concerto broadly used impressionism employed short form structures such because the prelude and nocturne.